Taken from an auction listing you can see here. Edward Buell Hungerford became a well-respected youth-oriented history book writer.
Saul Bellow:
From Wikipedia. (Last reviewed on 5 Nov 2024)
Saul Bellow (born Solomon Bellows; June 10, 1915 – April 5, 2005) was an American writer. For his literary work, Bellow was awarded the Pulitzer Prize, the 1976 Nobel Prize in Literature, and the National Medal of Arts. He is the only writer to win the National Book Award for Fiction three times, and he received the National Book Foundation's lifetime Medal for Distinguished Contribution to American Letters in 1990.
In the words of the Swedish Nobel Committee, his writing exhibited "the mixture of rich picaresque novel and subtle analysis of our culture, of entertaining adventure, drastic and tragic episodes in quick succession interspersed with philosophic conversation, all developed by a commentator with a witty tongue and penetrating insight into the outer and inner complications that drive us to act, or prevent us from acting, and that can be called the dilemma of our age." His best-known works include The Adventures of Augie March, Henderson the Rain King, Herzog, Mr. Sammler's Planet, Seize the Day, Humboldt's Gift, and Ravelstein.
Bellow said that of all his characters, Eugene Henderson, of Henderson the Rain King, was the one most like himself. Bellow grew up as an immigrant from Quebec. As Christopher Hitchens describes it, Bellow's fiction and principal characters reflect his own yearning for transcendence, a battle "to overcome not just ghetto conditions but also ghetto psychoses." Bellow's protagonists wrestle with what Albert Corde, the dean in The Dean's December, called "the big-scale insanities of the 20th century."[page needed] This transcendence of the "unutterably dismal" (a phrase from Dangling Man)[page needed] is achieved, if it can be achieved at all, through a "ferocious assimilation of learning" (Hitchens)[citation needed] and an emphasis on nobility.
Biography
Early life
Saul Bellow was born Solomon Bellows in Lachine, Quebec, two years after his parents, Lescha (née Gordin) and Abraham Bellows, emigrated from Saint Petersburg, Russia. He had three elder siblings - sister Zelda (later Jane, born in 1907), brothers Moishe (later Maurice, born in 1908) and Schmuel (later Samuel, born in 1911). Bellow's family was Lithuanian-Jewish; his father was born in Vilnius. Bellow celebrated his birthday on June 10, although he appears to have been born on July 10, according to records from the Jewish Genealogical Society-Montreal. (In the Jewish community, it was customary to record the Hebrew date of birth, which does not always coincide with the Gregorian calendar.) Of his family's emigration, Bellow wrote:
The retrospective was strong in me because of my parents. They were both full of the notion that they were falling, falling. They had been prosperous cosmopolitans in Saint Petersburg. My mother could never stop talking about the family dacha, her privileged life, and how all that was now gone. She was working in the kitchen. Cooking, washing, mending ... There had been servants in Russia ... But you could always transpose from your humiliating condition with the help of a sort of embittered irony.
A period of illness from a respiratory infection at age eight both taught him self-reliance (he was a very fit man despite his sedentary occupation) and provided an opportunity to satisfy his hunger for reading: reportedly, he decided to be a writer when he first read Harriet Beecher Stowe's Uncle Tom's Cabin.
When Bellow was nine, his family moved to the Humboldt Park neighborhood on the West Side of Chicago, the city that formed the backdrop of many of his novels. Bellow's father, Abraham, had become an onion importer. He also worked in a bakery, as a coal delivery man, and as a bootlegger. Bellow's mother, Liza, died when he was 17. She had been deeply religious and wanted her youngest son, Saul, to become a rabbi or a concert violinist. But he rebelled against what he later called the "suffocating orthodoxy" of his religious upbringing, and he began writing at a young age. Bellow's lifelong love for the Torah began at four when he learned Hebrew. Bellow also grew up reading Shakespeare and the great Russian novelists of the 19th century.
In Chicago, he took part in anthroposophical studies at the Anthroposophical Society of Chicago. Bellow attended Tuley High School on Chicago's west side where he befriended Yetta Barsh and Isaac Rosenfeld. In his 1959 novel Henderson the Rain King, Bellow modeled the character King Dahfu on Rosenfeld.
Education and early career
Bellow attended the University of Chicago but later transferred to Northwestern University. He originally wanted to study literature, but he felt the English department was anti-Jewish. Instead, he graduated with honors in anthropology and sociology. It has been suggested Bellow's study of anthropology had an influence on his literary style, and anthropological references pepper his works. He later did graduate work at the University of Wisconsin.
Paraphrasing Bellow's description of his close friend Allan Bloom (see Ravelstein), John Podhoretz has said that both Bellow and Bloom "inhaled books and ideas the way the rest of us breathe air."
In the 1930s, Bellow was part of the Chicago branch of the Federal Writer's Project, which included such future Chicago literary luminaries as Richard Wright and Nelson Algren. Many of the writers were radical: if they were not members of the Communist Party USA, they were sympathetic to the cause. Bellow was a Trotskyist, but because of the greater numbers of Stalinist-leaning writers, he had to suffer their taunts.
In 1941, Bellow became a naturalized United States citizen, after discovering, on attempting to enlist in the armed forces, that he had immigrated to the United States illegally as a child. In 1943, Maxim Lieber was his literary agent.
During World War II, Bellow joined the merchant marine and during his service he completed his first novel, Dangling Man (1944) about a young Chicago man waiting to be drafted for the war.
From 1946 through 1948 Bellow taught at the University of Minnesota. In the fall of 1947, following a tour to promote his novel The Victim, he moved into a large old house at 58 Orlin Avenue SE in the Prospect Park neighborhood of Minneapolis.
In 1948, Bellow was awarded a Guggenheim Fellowship that allowed him to move to Paris, where he began writing The Adventures of Augie March (1953). Critics have remarked on the resemblance between Bellow's picaresque novel and the great 17th-century Spanish classic Don Quixote. The book starts with one of American literature's most famous opening paragraphs, and it follows its titular character through a series of careers and encounters, as he lives by his wits and his resolve. Written in a colloquial yet philosophical style, The Adventures of Augie March established Bellow's reputation as a major author.
In 1958, Bellow once again taught at the University of Minnesota. During this time, he and his wife Sasha received psychoanalysis from University of Minnesota Psychology Professor Paul Meehl.
In the spring term of 1961 he taught creative writing at the University of Puerto Rico at Río Piedras. One of his students was William Kennedy, who was encouraged by Bellow to write fiction.
Return to Chicago and mid-career
Bellow lived in New York City for years, but returned to Chicago in 1962 as a professor at the Committee on Social Thought at the University of Chicago. The committee's goal was to have professors work closely with talented graduate students on a multi-disciplinary approach to learning. His students included the poet, Tom Mandel. Bellow taught on the committee for more than 30 years, alongside his close friend, the philosopher Allan Bloom.
There were also other reasons for Bellow's return to Chicago, where he moved into the Hyde Park neighborhood with his third wife, Susan Glassman. Bellow found Chicago vulgar but vital, and more representative of America than New York. He was able to stay in contact with old high school friends and a broad cross-section of society. In a 1982 profile, Bellow's neighborhood was described as a high-crime area in the city's center, and Bellow maintained he had to live in such a place as a writer and "stick to his guns."
Bellow hit the bestseller list in 1964 with his novel Herzog. Bellow was surprised at the commercial success of this cerebral novel about a middle-aged and troubled college professor who writes letters to friends, scholars and the dead, but never sends them. Bellow returned to his exploration of mental instability, and its relationship to genius, in his 1975 novel Humboldt's Gift. Bellow used his late friend and rival, the brilliant but self-destructive poet Delmore Schwartz, as his model for the novel's title character, Von Humboldt Fleisher. Bellow also used Rudolf Steiner's spiritual science, anthroposophy, as a theme in the book, having attended a study group in Chicago. He was elected a Fellow of the American Academy of Arts and Sciences in 1969.
Nobel Prize and later career
Propelled by the success of Humboldt's Gift, Bellow won the Nobel Prize in literature in 1976. In the 70-minute address he gave to an audience in Stockholm, Sweden, Bellow called on writers to be beacons for civilization and awaken it from intellectual torpor.
The following year, the National Endowment for the Humanities selected Bellow for the Jefferson Lecture, the US federal government's highest honor for achievement in the humanities. Bellow's lecture was entitled "The Writer and His Country Look Each Other Over."
From December 1981 to March 1982, Bellow was the Visiting Lansdowne Scholar at the University of Victoria (BC), and also held the title Writer-in-Residence. In 1998, he was elected to the American Philosophical Society.
Bellow traveled widely throughout his life, mainly to Europe, which he sometimes visited twice a year. As a young man, Bellow went to Mexico City to meet Leon Trotsky, but the expatriate Russian revolutionary was assassinated the day before they were to meet. Bellow's social contacts were wide and varied. He tagged along with Robert F. Kennedy for a magazine profile he never wrote, and was close friends with the author Ralph Ellison. His many friends included the journalist Sydney J. Harris and the poet John Berryman.
While sales of Bellow's first few novels were modest, that turned around with Herzog. Bellow continued teaching well into his old age, enjoying its human interaction and exchange of ideas. He taught at Yale University, University of Minnesota, New York University, Princeton University, University of Puerto Rico, University of Chicago, Bard College and Boston University, where he co-taught a class with James Wood ('modestly absenting himself' when it was time to discuss Seize the Day). In order to take up his appointment at Boston, Bellow moved from Chicago to Brookline, Massachusetts, in 1993; he died there on April 5, 2005, at age 89. He is buried at the Jewish cemetery Shir HeHarim of Brattleboro, Vermont.
While he read voluminously, Bellow also played the violin and followed sports. Work was a constant for him, but he at times toiled at a plodding pace on his novels, frustrating the publishing company.
His early works earned him the reputation as a major novelist of the 20th century, and by his death he was widely regarded as one of the greatest living novelists. He was the first writer to win three National Book Awards in all award categories. His friend and protege Philip Roth has said of him, "The backbone of 20th-century American literature has been provided by two novelists—William Faulkner and Saul Bellow. Together they are the Melville, Hawthorne, and Twain of the 20th century." James Wood, in a eulogy of Bellow in The New Republic, wrote:
I judged all modern prose by his. Unfair, certainly, because he made even the fleet-footed—the Updikes, the DeLillos, the Roths—seem like monopodes. Yet what else could I do? I discovered Saul Bellow's prose in my late teens, and henceforth, the relationship had the quality of a love affair about which one could not keep silent. Over the last week, much has been said about Bellow's prose, and most of the praise—perhaps because it has been overwhelmingly by men—has tended toward the robust: We hear about Bellow's mixing of high and low registers, his Melvillean cadences jostling the jivey Yiddish rhythms, the great teeming democracy of the big novels, the crooks and frauds and intellectuals who loudly people the brilliant sensorium of the fiction. All of this is true enough; John Cheever, in his journals, lamented that, alongside Bellow's fiction, his stories seemed like mere suburban splinters. Ian McEwan wisely suggested last week that British writers and critics may have been attracted to Bellow precisely because he kept alive a Dickensian amplitude now lacking in the English novel. ... But nobody mentioned the beauty of this writing, its music, its high lyricism, its firm but luxurious pleasure in language itself. ... [I]n truth, I could not thank him enough when he was alive, and I cannot now.
Personal life
Bellow was married five times, with all but his last marriage ending in divorce. Bellow's wives were Anita Goshkin, Alexandra (Sondra) Tschacbasov (daughter of painter Nahum Tschacbasov), Susan Glassman, Alexandra Ionescu Tulcea, and Janis Freedman.
His son Greg by his first marriage became a psychotherapist; he published Saul Bellow's Heart: A Son's Memoir in 2013, nearly a decade after his father's death. Bellow's son by his second marriage, Adam, published a nonfiction book In Praise of Nepotism in 2003. Bellow's son by his third marriage, Daniel, is a potter, a writer and a former journalist. In 1999, when he was 84, Bellow had his fourth child and first daughter, with Freedman.
(Ended here but there is more in the full Wikipedia article.)
Submitted by Richard Hungerford at 1:01 AM on November 5, 2024.